to the pastel lake
with its high mountain
to the ward
fluttering like an owl
her cheery smile
at her new cherry Nissan
the drowned world
in her pocket
with absorbent tissue
in the park with the linden
our tacit longing
vocal with pleasure
worried as she dives in the swell
surface after surface
reluctant hours, tasks, restraint
birds chitter, blossom of
such rich circumstance
malls with irregular heartbeats
kept at bay in the aisle
with deliberation
objects distance knowledge
with her hair pulled back after washing
she’d witnessed the farmer sowing
her white sheets strung out, fresh air
the wind with its sharp edge, such anger
the morning dough thrown down, so needed
it is then she wipes her eyes with her forearm, dusty sleeve
it all falls into place
the wish of having wished
scrubbing at the planter’s hands
children endlessly at play in the field with friends
from telling stories
*
you write poems
what kind?
next time answer:
the real kind
*
because the spirit
is real
the life elsewhere
beyond
within
there is more
we have always
felt
seen
*
Now is the season of consequences
And we’re in this together
Look, this isn’t a poem
I will not count the syllables
*
You can have this one on me
Season of loveliness
Will it come again?
from The Syllabary
Sate
I’m a saint I’m a straight
I’m a thing of the State
I’m a Bellany skate on a deck chair.
I’m an ode on a slate
(That’s a river in spate)
Just a tune on a chart
Sleight of hand, sleight of heart.
*
Skaith and skail
Your faith will fail you
GO TO JAIL
No god to bail you.
I was speeding across Europe I was coming to sit on the blue chair / as you lay sleeping on the blue bed / lay there behind a curtain with no freedom to rise / unable to speak the dreams in your head / and though your eyes are closed I whisper / it’s freezing, it must be dark everywhere but here / this ward where no one will ever switch off the lights / but listen, the little wooden booths are back on Broad Street / electric cables running between them, generators whirring to fuel the stoves to heat the gluwein / and chandeliers blaze in college rafters / it’s almost Christmas / hares hang upside-down from hooks in the butcher’s, and mistletoe masses on market flagstones //
and you are still sleeping when I say goodbye, and board a train in London / and see through dirty windows at dawn the pale architecture of Liège / light snowfall outside Aachen / and in the mall at Brussels, where chocolate shops glitter and jewellery shops sparkle, I squirt a sample of Max Factor into my palm—a thrifty trick to hide tired eyes—and buying a cheap galette and coffee in a paper cup I ride the lift to quai 16 / I give directions in French to an elegant woman from Tokyo / the route doesn’t change, though the journey is now more urgent / stepping on and off trains, on and off trams / watching streetlamps flicker on in towns whose names I’ll never know / and I cross a bridge and the sound of my suitcase changes behind me / as if it too speaks a new language //
and I who promised never to fly again have been at 40,000 feet looking down on clouds / I have made and missed a hair appointment / I have kissed strangers thrice on the cheeks in greeting, once or twice on the lips but my lips are sealed / I have climbed to the old tower, I have swum upstream / I have sold books in several currencies, and posted them to Longyearben, Washington, Berlin / I have lost long evenings in restaurants where candles gutter under bell jars / I have decorated the lamps in my study with ivy and the ivy leaves grow brittle but do not fall / I have written about snowflakes and shadows and the colour white and how the snow angel is best seen in raking light / Did you know that snow sometimes looks purple, yellow, blue like the bruise upon the arm you cannot move?
And counting
For months I have studied
the maple tree, planted
that first year we came.
From baby fingernails
scratching for purchase
on March air – to the open
palms of summer outstretched
to catch raindrops – and now
these weather-beaten hands
on crisp November grass.
I can count on ten fingers
those leaves that still cling
to the maple tree.
To make sure you receive a copy just send a stamped addressed A5 envelope to Richard Price, 23 Magnus Heights, Hampden Road, London, N8 0EL. Strictly first come first served.