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Poems 4

Ralph Hawkins

Ralph Hawkins

Ralph Hawkins

 

Living Room


to the pastel lake


with its high mountain


to the ward



fluttering like an owl


her cheery smile 


at her new cherry Nissan



the drowned world 


in her pocket


with absorbent tissue







Ralph Hawkins

Ralph Hawkins

 

 





Ralph Hawkins

  

Heartbeat


in the park with the linden


our tacit longing


vocal with pleasure


worried as she dives in the swell


surface after surface


reluctant hours, tasks, restraint


birds chitter, blossom of


such rich circumstance


malls with irregular heartbeats 


kept at bay in the aisle 


with deliberation


objects distance knowledge



 

 





 

 

here is the stone fallen from my heart

 

with her hair pulled back after washing


she’d witnessed the farmer sowing


her white sheets strung out, fresh air


the wind with its sharp edge, such anger


the morning dough thrown down, so needed


it is then she wipes her eyes with her forearm, dusty sleeve


it all falls into place 


the wish of having wished 


scrubbing at the planter’s hands


children endlessly at play in the field with friends




Caroline Clark

Caroline Clark

Caroline Clark

 

from telling stories


*


you write poems

what kind?


next time answer:

the real kind


*


because the spirit

is real

the life elsewhere

beyond

within

there is more

we have always

felt

seen


*


Now is the season of consequences

And we’re in this together

Look, this isn’t a poem 

I will not count the syllables


*


You can have this one on me

Season of loveliness

Will it come again?

Peter McCarey

Caroline Clark

Caroline Clark

     

from The Syllabary


Sate


I’m a saint I’m a straight

I’m a thing of the State

I’m a Bellany skate on a deck chair.

I’m an ode on a slate

(That’s a river in spate)

Just a tune on a chart

Sleight of hand, sleight of heart.



*


Skaith and skail

Your faith will fail you

GO TO JAIL

No god to bail you.

 

 

Nancy Campbell

 

as you lay sleeping   


I was speeding across Europe I was coming to sit on the blue chair / as you lay sleeping on the blue bed / lay there behind a curtain with no freedom to rise / unable to speak the dreams in your head / and though your eyes are closed I whisper / it’s freezing, it must be dark everywhere but here / this ward where no one will ever switch off the lights / but listen, the little wooden booths are back on Broad Street / electric cables running between them, generators whirring to fuel the stoves to heat the gluwein / and chandeliers blaze in college rafters / it’s almost Christmas / hares hang upside-down from hooks in the butcher’s, and mistletoe masses on market flagstones //


and you are still sleeping when I say goodbye, and board a train in London / and see through dirty windows at dawn the pale architecture of Liège / light snowfall outside Aachen / and in the mall at Brussels, where chocolate shops glitter and jewellery shops sparkle, I squirt a sample of Max Factor into my palm—a thrifty trick to hide tired eyes—and buying a cheap galette and coffee in a paper cup I ride the lift to quai 16 / I give directions in French to an elegant woman from Tokyo / the route doesn’t change, though the journey is now more urgent / stepping on and off trains, on and off trams / watching streetlamps flicker on in towns whose names I’ll never know / and I cross a bridge and the sound of my suitcase changes behind me / as if it too speaks a new language // 


and I who promised never to fly again have been at 40,000 feet looking down on clouds / I have made and missed a hair appointment / I have kissed strangers thrice on the cheeks in greeting, once or twice on the lips but my lips are sealed / I have climbed to the old tower, I have swum upstream / I have sold books in several currencies, and posted them to Longyearben, Washington, Berlin / I have lost long evenings in restaurants where candles gutter under bell jars / I have decorated the lamps in my study with ivy and the ivy leaves grow brittle but do not fall / I have written about snowflakes and shadows and the colour white and how the snow angel is best seen in raking light / Did you know that snow sometimes looks purple, yellow, blue like the bruise upon the arm you cannot move?  

 

James McGonigal

 

And counting


For months I have studied

the maple tree, planted

that first year we came.


From baby fingernails

scratching for purchase

on March air – to the open


palms of summer outstretched

to catch raindrops – and now

these weather-beaten hands


on crisp November grass.

I can count on ten fingers

those leaves that still cling


to the maple tree.




About these poems

These poems are a selection from Painted, spoken 35 (2022), printed in a limited edition.

To make sure you receive a copy just send a stamped addressed A5 envelope to Richard Price, 23 Magnus Heights, Hampden Road, London, N8 0EL. Strictly first come first served. 

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