Painted, spoken

Painted, spokenPainted, spokenPainted, spoken

Painted, spoken

Painted, spokenPainted, spokenPainted, spoken
  • Home
  • About
  • Poems Features Reviews
  • Blog
  • More
    • Home
    • About
    • Poems Features Reviews
    • Blog
  • Home
  • About
  • Poems Features Reviews
  • Blog

Poems 1

Robin Fulton Macpherson

Robin Fulton Macpherson

Robin Fulton Macpherson

 

A Morning to Watch


A peaceful start to a new day.

Look once: an over-sized pale moon

has paused behind the white birches

and seems unlikely to move on.


The bedrock I share with the trees

has always been there, always will.

Look twice: the pale moon’s in free fall

through space with neither up nor down


and the bedrock the white birches

share with me is turning its back

on the lost moon at frantic speed.

It can’t get far enough away.





Robin Fulton Macpherson

Robin Fulton Macpherson

 

 





April Yee

Robin Fulton Macpherson

April Yee

  

Management Consultant: 

Exotic Holiday #4


I see men beating cream in a frozen box

in the market, singing, pressing mastic 

into a good visitors will pay to lick. 

They fire on columns lined like crops,

hack angled wounds in walnut blocks,

salve them with gleaming mollusk slips

to hawk to women murmuring fantastic

as caves powder with the bang of a clock.

My suggestion for rapid monetisation

(given low local costs) is to concentrate

on pricing active experience. The slide

of dollars is about customer co-creation.

Survey what the market bears: $308

A village of grandmothers

April Yee

 

 





 

Larry Butler 


Last Text to Tom Leonard  


YumYum and Latte 3pm at your house. Text me if you prefer something else
 

Larry 

 






Patrizia Longhitano

 

Ode to London   

 

Bring me high rents! Tiny flats! Mouldy walls!
Basements with only two windows!
Bring me the mirage of a cemented patio
    and Hear! Hear! ... a living room!
And I will show you the meaning of ‘gratitude’ and ‘devotion’.


Let’s have scones with strawberry jam
and Rodda’s clotted cream at the V&A
while the Italian pianist plays Piaf’s tunes. Let’s wet our feet
while crossing the shallow pool – our minds still
on the jewellery behind the glass. 


Bring me to Highgate Cemetery
and let’s try to find Karl Marx’s tomb.
Bring me marching bands playing in the pavilion
  in St James Park
on a dewed Sunday morning. Bring me vegan brunches
  at the Palm Vaults
while I tell to myself ‘I am not a hipster!’ 


Let me buy you a French dvd from Fopp,
let’s walk to the British Museum
and cross those streets where once
the Stephen sisters walked too.
Let’s go for a black & white movie
at the BFI and have a gin & tonic at the bar. 


Bring me to the pier
when it’s dark and windy.
Let’s be silent.
Let’s listen to the voices of the women who built the bridges,
the streets and the buildings of our city. 


Bring me in front of the Globe
when all the lights are off.
Let’s be silent.
Let’s listen to the voices of Boudica
and her daughters while they were killing
your ancestors (or mine?) and burning everything to ashes. 


Let me close my eyes.
Let me breathe deeply.
Let me turn towards Southwark, 


towards home – where,
if I can only find some change for the milk,
I can make you an Italian hot chocolate before bed. 


Peter McCarey

Peter McCarey

 

Peter McCarey

Peter McCarey

Peter McCarey

    

from The Syllabary 

 

16.1.9

Five Chilean bishops

Appealed to the Brit justiciary

On behalf of their dictator.

Behold the black bulbs

Of their ten shoon

Peek from under cyclamen soutanes.


16.10.5

From my dad

I inherited

Not a shive

Of bread but a manner

Of counting coin

Like a day labourer

Just given his fee.

Peter McCarey

 

Aisha Farr

 

Spring    


There was according to the hymns a flower which

from its own root bloomed a hundred more so strong

in smell that the girl (here she is) wanted only to breathe

it. She was growing. As she went to break its stem,

recognising narcissus from a picture, the whole earth

made a hole from which rose Hades, a man called host

who controlled many. The girl was taken (as she is).
 

The search for the girl (where is she) doesn’t end

or begin but defines her in the dictionary. Demeter,

her mother, became a wild bird looking for her over

the firm land and yielding sea. No one would tell her

the truth about her daughter. Not even the birds of

omen flew to her. In the hidden depths of the earth

the girl waited, picturing the surface of the world from

a memory of one page of the encyclopedia.


Perhaps without the dark smell isn’t as strong. When

spring returns the darkness starts to leave, the leaves

begin to grow, petals happen in repeats. Rose is a noun

and a verb. The girl known only beneath the earth

(here she is) once picked a flower so was picked. She’d

seen somebody doing it in a picture or was it on the

television. The fact of being here was reintroduced

to her as considerable.


  

Simon Barraclough

 

Pangolin Heart  


A razor-petalled artichoke,

tongue belly-tethered,

heart never knowingly not

in mouth

but never on gauntleted sleeve.


Let it be,

you stalker of exotic meat

with blowpipe pupils

and arrows of desire

dipped in keenest 

disappointment, 

infatuated sap.

About these poets

 Simon Barraclough is a poet and writer who has published and edited several volumes and pamphlets, most recently Sunspots in 2015 (Penned in the Margins). He devises and performs in multimedia projects involving filmmakers and musicians (Psycho Poetica in 2010, The Debris Field in 2010, Sunspots in 2015, Vertiginous in 2018). Larry Butler grew up in northern California, and has lived in Glasgow since 1981, where he teaches Tai-Chi, movement and leads improvisation workshops. He co-founded the Poetry Healing Project out of which he founded and developed Survivors’ Poetry Scotland and Lapidus. Aisha Farr is an artist and writer who lives and works in London. Patrizia Longhitano was born in Brazil and lived most of her life in Italy until 2005 when she decided to move to the UK. Since then, she has been living in London working as a nanny. Her work is included in Un Nuevo Sol: British LatinX Writers, ed. Nathalie Teitler and Nii Ayikwei Parkes (Flipped Eye).Robin Fulton Macpherson’s Northern Habitat: Collected Poems 1960-2010is published by Marick Press. Some of the poems featured here appear in his new collection Arrivals of Light (Shearsman).  Peter McCarey is the author of many poetry collections, including Collected Contraptions (Carcanet). His collection of essays on poetry, Find an Angel and Pick a Fight is published by Molecular Press, as is Petrushka, a hybrid novel which, written before Covid19, is a shocking prophecy of a pandemic. He lives in Geneva.  April Yee writes about colonialism, climate change, and other effects of power. In 2020 her work was commended or shortlisted by Ambit, Live Canon, and the Bridport Prize. She reported in more than a dozen countries before moving to London, where she serves on the Refugee Journalism Project at UAL and tweets @aprilyee.

 

About these poems

These poems are a selection from Painted, spoken 32 (2020), which was printed in a limited edition.

To make sure you receive a future copy just send a stamped addressed A5 envelope to Richard Price, 23 Magnus Heights, Hampden Road, London, N8 0EL. Strictly first come first served. 

Copyright © 2025 Painted, spoken - All Rights Reserved.

Powered by

  • Privacy Policy